There’s hummus and veggies and salami too.

There’s hummus and veggies and salami too.

On the wall at Osteria in Philly:

Last week, I mentioned that I had been wrestling with our lawn tractor. It’s a Husqvarna from the mid-2000s—it’s been in service for a long time. I’ve changed the belts, the blades, the oil, and filters to keep it running. The deck (the metal shell that houses the blades) has taken a beating over the years, and a bracket that holds the belt pulleys had broken free from the shell. Rhonda and I combined forces on Tuesday afternoon after our getaway to Philly, and completed what I learned is called a “field repair.” It seems to be working now!

After thinking I’d fixed it several times before Tuesday (Wednesday actually), this repair reminds me that success and failure are often within a few inches of each other. Every win starts off as a potential loss. It’s an argument for adversity maybe: too many serial wins can lead to feeling a failure as catastrophic.
I’ve been using an app called Sofa for a while now to track television shows and movies that I might like to watch. It’s a great iPhone and iPad app, and it runs on the Mac as well. It has evolved to include books, podcasts, restaurants, and video games. I like it a lot, but it has lacked a central function that I wanted in such an application: moving a show to an “actively watching” list or state. (I’ve never used it for books, which is a topic for another post.) Version 5.2 of Sofa now lets you track shows, generating a list of episodes and providing the user a way of checking off episodes.

Jason Snell recently highlighted Television Time on an episode of MacBreak Weekly, and after a few years of trying the free version of Sofa (I find the subscription a little pricey for my needs), and also trying Casey Liss’s Callsheet for the same purpose, I decided to give Television Time a spin.
Television Time is TV-specific; you can’t add movies or any other kind of media. This is a good thing. You can research shows, and add them to your “To Watch” list when you’re ready. There’s no intermediate resting place for a show, though, which I would like. Television time includes notifications for upcoming episodes, and a wealth of data about an episode, including original air date. It will also monitor the time you spent watching TV if you check off what you’ve been watching. And like Sofa, Television Time shows you where you can watch a show.
Television Time is only 9.99 for a yearly subscription.
I’ve written a fair bit about my TT Artisans 18mm f/6.3 UFO Lens here on Uncorrected. It’s primary appeal to me when I found it was both its tiny size and its low price, and while both of those remain attractions, it’s not a lens that I’d recommend for someone outside of understanding what a strange thing it is.
Shortly after I purchased the lens, I started seeing adds for repurposed disposable film camera lenses, one of which is the Retropia. I thought it might be duplicative at least, or less functional, than the TT Artisans, so I bought one for Aaron to use with his Nikon D3100. It turns out that he also purchased one, so I’m going to return the one I bought for him.

It’s a tiny lens that weighs almost nothing. It’s more of a lens cap than a lens. It makes the TT Artisans feel heavy.

You have to fire the camera in manual mode to use the Retrotopia; it doesn’t support any kind of autofocus or aperture priority. With a fixed aperture of f/11, it needs plenty of light to work. I would normally avoid taking pictures in the midday sun, but the Retrotopia is perfect for such shooting.

I took this picture of my Miata with the Retrotopia. It has that greasy, smeary look that you might get from a cheap disposable camera. I don’t love it, but it’s kinda fun. The TT Artisans takes much sharper pictures, and that’s not saying much for the UFO.

I still have an ancient Griffin PowerMate around that I haven’t used in forever. I stumbled upon the PowerMate Agent application recently, which revives the peripheral. It scrolls and mutes! Pretty cool.

What a beautiful weekend! Saturday and Sunday were chilly in morning, sunny, and then exemplars of a warm, dry May weather. You could do worse than have a glorious, full-throated, naturally aspirated American V8 engine in your car on a day like today.
Bellview Winery was an obvious choice for our Saturday, considering the weather, but they had a ticketed event, so we stayed home and had cheese and salami and raided our cellar (which is on the second floor in a cheap fridge). Joe was working, but Rhonda, Aaron, and I nipped out for dinner at the Turkish joint around the corner. It’s really good!
It occurred to me that the genesis of Sunday Serial was to recommend things to my readers. I haven’t invoked the mission in writing for a while, so here it goes:
Here are a few things to check out!
I’ve been using BetterSnapTool for over a decade to manage the windows on my Mac. It originally was one of the few utilities to add Windows Snap-style functionality to the Mac. Apple did eventually add a similar feature to Sequoia, but there are still advantages to third-party utilities, such as programmable keyboard shortcuts..
BetterTouchTool has long offered the same features, in addition to giving users a path to creating custom mouse and touchpad gestures. In a recent blog post, the developer described a new beta feature: a Spotlight-like Launcher. His hopes were high that Apple would eventually add third-party support to Spotlight, and while the latest version of Spotlight that ships with Tahoe brings some feature enhancements, it was not what he was looking for. With that, BetterTouchTool joined the crowded field of excellent third-party launcher utilities.

You can use BTT’s launcher to fire off custom actions, launch apps, see running apps, create and use widgets, search for files, use Soulver to make back-of-the-napkin calculations, and lots more. I’m excited to finally create some custom gestures with my trackpad, and avail myself of BTT’s ability to manage windows.
[BetterTouchTool’s new Spotlight Like Launcher (BETA)]
I had to return some pants Rhonda got for Aaron at Staples today, and I browsed the pen aisle to see what they had; Staples has always been an OK spot for Fisher Space pens and more. I spied a Lamy Safari Ballpoint in bespoke packaging on one peg, and gave it a quick ogle. I didn’t take me long to decide to purchase one.

It’s preloaded with a black ink cartridge, but I’ll order a refill in the near future and make it blue. It’s got that great thick barrel that I love from my Safari fountain pen, as well as the rounded wire clip. I was hoping for a gel pen, but this does write nicely.

Joey and Aaron clued me in to Shoreline Vintage’s show this weekend; since adding Farpoint IIto their collection of vendors, they’ve been throwing great shows every summer, usually around Memorial Day. We got up early because Joe had to work and headed over for a bit of shopping.

Toy Shows are always an eclectic gathering of enthusiasts. There were people in costumes, some cross dressing, and plenty of eagle-eyed shoppers. Joe and Aaron split off and browsed the tables. It was, as usual, a great show with lots to see.

I’m excited that Aaron’s eye was bewitched by a used Nikon DSLR. We went back to the table a few times to try to get more info about the camera, and as we walked the grounds, I learned that the Nikon D3500 is not a new camera, but is one of the last in the line of consumer-focused DSLRs and not mirrorless. It was a kit with an 18-55mm f/3.5-5.5 lens, probably a standard Nikon kit lens, but also a 70-500mm f/4.5-6.3 zoom lens. That’s pretty close to all you’d need, save for a nice prime lens with an aperture around f/2 or a little lower.

I told him we could figure something out if he wanted to buy it without exhausting his budget; my notion was that we’d eventually get him a Panasonic or a Olympus so he could use my lenses, but he seems to be drawn to Canon and Nikon. I’m curious about APS-C and Nikon’s software interface on their cameras, as well as the physical controls, though. I suggested that we could negotiate the price, and Aaron went for it: he suggested a price, and the seller readily agreed. Proud of this guy!

So yeah: he’s got a Nikon, and there’s an f/1.8 35mm on the way from Ebay.
Aaron sent a couple of neat pics of Rutgers in the grips of the snowpocalypse.


I’ve been excited to see what was going to come of Apple’s acquisition of Pixelmator. I’ve been a Pixelmator user for a very long time, and really love editing photos, especially on the iPad, with it. It has great Apple Pencil support.
For a long time, my wish was to have a polycarbonate MacBook in Black with a DSLR and Apple’s own Aperture. I never got the DSLR, and the serial improvements of the iPhone camera decreased my desire for a DSLR. Aperture was eventually shuttered, but the Photos app has gained a lot of its functionality. I’m not really in that headspace anymore, though; I very much enjoy taking pictures with my Olympus and OM System cameras and the small but engaging collection of glass that I’ve accumulated. And so my interest in some “prosumer” photo editing has remained.
I was reading Joe Rosensteel’s article on Six Colors about the acquisition, and he brought up a great point: What about Photomator? That app was a lot of fun to use, and I realized that it’s effectively a Lightroom competitor. Rosensteel thinks that it could end up being a prosumer add on to Apple’s Photos, which sounds like a smart idea, especially to the degree that it would add a subscription revenue stream. I could see Apple bundling it into their Creator Studio, too, such that if you subscribe to ACS, you get the Photomator features in Photos. That’s my predication and hope, anyway.
Peripheral to the holiday, I picked up Darkroom on sale. It works like Photomator, and I like it a lot. I suspect it’s a familiar experience for Lightroom users. Photomator is 30 bucks a year, and while I have it on my iPad from a long time ago, I’m not inclined to subscribe just yet. Hopefully something will come out of the Creator Studio integration soon; I don’t need many of those apps, but I do intend to keep supporting Pixelmator’s development. I like how both of the applications work by exposing your Photos library, allow you to make edits, and then replace or copy the edited image back into your library.


GAS is a thing! I know this not because I read it on the internet, but because, shortly before Christmas, I ordered myself another used lens on eBay for my mirrorless cameras: the Lumix G 14mm f/2.5.
A rationalization: I don’t generally get gifts for Christmas (the exception being that my parents are incredibly generous to all of us each year, and Aaron gave me a t-shirt this year, which was a pleasant surprise), so I figured this would be my gift. It works for me!
Anyway, this lens came to my attention in a YouTube video where someone was trying to make an affordable version of the ever-popular (and expensive) FujiFilm x100. I believe they paired a m4/3 Lumix or maybe an Oly with this lens as a pocketable everyday carry, and I was immediately smitten.
I’ve been using (and enjoying) the Panasonic LUMIX G II Lens 20mm F1.7 for a long time now, probably a decade, and I’ve always considered it a small lens that can sorta end up making for a pocketable camera. The TT Artisans 18mm f/6.3 UFO Lens, of course, is even more so, but it has pretty specific light requirements and isn’t something I want to be tied to.
The Panasonic Lumix G 14mm f/2.5 definitely takes up less room, and on the Olympus E-PM2 you can really notice the small footprint. I imagine this lens would be super cute on a LUMIX GM1.


I’ve only been able to take a few pics with this lens, and I need to get out in bright light to really get a sense of its image quality. The 1.7 lets in more light than the 2.5, so that’s a consideration, and explains why some of the pics I took the first night at a new restaurant are pleasant but dark.

My iPhone would have taken a much brighter pic of my sushi last night for sure:

Lots of bokeh on Rhonda’s roast chicken thighs, though:

This pic of Bellview’s new rosé vintage, taken with lots of light last Saturday, shows the lens’s potential, though:

I think most people are perfectly well served by using their phone camera, and that’s why the middle end of the camera market is being gutted. I liken enthusiast photography to driving a manual transmission, or switching your clock to military time when you don’t need to–you introduce some complexity into your life for the sake of learning. I enjoy the process of trying to understand more of what might capture a good picture, of inserting myself in between the subject and the device.
More on that E-PM2 soon.
I took some pics with the Olympus M.Zuiko Digital ED 7-14mm f/2.8 PRO, and I have a lot to learn. It was pretty damn cold out yesterday afternoon!



I was peeking around in Glass for samples of pics taken with the Olympus M.Zuiko Digital ED 7-14mm f/2.8 PRO and saw that they’ve partnered with Darkroom to advertise Darkroom+ for $19.99 for a year. So I grabbed that.

I also have been trying out Retrobatch; I take a lot of pics for Uncorrected, and would very much like to streamline my resizing workflow (WordPress doesn’t like photos above a certain size). The excellent MarsEdit will take care of this for you, but I often post from Ulysses, because I like to be able to use my iPad to post as well.

Digital photo expert Styler Stalman joins David Sparks and Steven Hackett on Mac Power Users to discuss iPhone photography. It’s a great listen if you know a bit about cameras and photography (or want to learn) but came to this world from your phone.
Rhonda and I had to take the title for the old WRX back to the dealership, so we stopped at Bellview for a glass of wine. I took both cameras, the E-M10 Mark IV with and the EPL-5, the former with the 20mm 1.7 Panasonic lens, and the latter with the TT Artisans 18mm f/6.3 UFO.
I was pretty sure I’d managed to outclass the Lumix 1.7 with this pic from the e-pl5/TT artisans combo:

But an accidental ev setting and the E-M10 proved too good to beat:

Rhonda and I visited Bellview yesterday after our big car purchase. One of our former schoolmates (and the father of one of Aaron’s friends) was there for a sip and had driven his MG replica. I grabbed this pic on our way out.

I took a couple of pics of my preprandial Manhattan yesterday with the TT Artisans 18mm f/6.3 UFO Lens. There’s nothing milky or cloudy about the drink (see the second pic), but again, the weirdness of this lens enchants me.


Saw this whip on the commute home today. Shared with dad and Aaron. I was driving Aaron’s Mini, as I do, twice a week, as he’s off at college.
