Filed under well-meaning but ultimately wrong, HuffPo on commiserating by bringing yourself up in conversation:

Sociologist Charles Derber describes this tendency to insert oneself into a conversation as “conversational narcissism.” It’s the desire to take over a conversation, to do most of the talking and to turn the focus of the exchange to yourself. It is often subtle and unconscious. Derber writes that conversational narcissism “is the key manifestation of the dominant attention-getting psychology in America. It occurs in informal conversations among friends, family and co-workers. The profusion of popular literature about listening and the etiquette of managing those who talk constantly about themselves suggests its pervasiveness in everyday life.”

I think it comes from an interest to find common ground with your interlocutor, and it’s innocent–but wrong-headed.

Link

The Joy of a Chinese Clever

Serious Eats’ Daniel Gritzer on rediscovering the joy of a Chinese cleaver:

I am, or at least I had been, well aware of the virtues of the Chinese cleaver because I had used one aevery day for several months while working in a French restaurant about fifteen years ago. I loved that knife, but over time, I reached for it less and less as new knives entered my life… I’ve spent so much time in recent years debating the relative merits of Japanese and Western knives, which tends to be where the conversation is focused among knife enthusiasts in the United States, that I’d forgotten this third option and just how rightly it belongs in the running.

I bought one from amazon for like 12 bucks and use it all the time.

Link

When Wirecutter Doesn’t Cut It

Via The Loop , “The Problem with Relying on Wirecutter Reviews”:

In truth, if you’re an expert on any single category, such as camera lenses, the “best” pick on these sites is likely to be something you disagree with. The top pick is the choice that’s better for a wide audience, but it might not be the absolute best possible product — because the highest-performing one is too expensive or complicated to use.

The optimal way to approach recommendation sites is simple: If you need a product, like a printer, and don’t have strong opinions on it or want to avoid overspending on a potential lemon, buy the top choice. It’s almost certainly been tested more than any of us could feasibly do on our own, and you’ll save hours of research. But if you are an expert about a device and the pick isn’t what you’d go for, that’s okay! The recommendation probably wasn’t really targeted at you anyway.

This nicely sums out how car enthusiasts feel about Consumer Reports.

Link

Ben Brooks On Going iPad Only

Ben Brooks on going iPad only:

Drawing to Excel — you name it. There used to be limitations with what you could do on an iPad — but those limitations are melting away, the last vestige being iOS developers looking longingly at a better. These are the people you hear from most, because they are the most likely to write a blog about it, while the rest of the world just switches to an iPad without making a thing out of it (burn).

Excel is not even close to feature parity, so i think it’s a bad example in this case. His larger point resonates, though–with some notable exceptions, I’ve been nearly IPad exclusive at work since iPadOS came out.

Link

Die Hard

I’ve long considered Die Hard a guilty pleasure. Considering it’s the Christmas Season, I was happy to introduce my younger son to the film today (since it is arguably a Christmas Movie. Coincidentally, the movie was featured on “The Movies that Made Us” on Netflix. Some fascinating reveals:

  • The movie is based on a book titled “Nothing Lasts Forver” by Roderick Thorpe. This book is as sequel to a book by the same author called “The Detective,” whose film adaptation starred Frank Sinatra. Thorpe wrote the book at Sinatra’s behest because Sinatra wished to appear in another film, but it took too long (10 years) to complete, and Sinatra lost interest.
  • One of the terrorists, Karl, was played by ballet actor Alexander Godunov
  • The film was filmed on unfinished sections of a building Fox owned
  • Bruce Willis did some of his own student work, including part of the jump off of the roof just before it explodes.
  • Similarly, Alan Rickman dropped onto a safety bag for Hans Gruber’s drop from Nakatomi; he was released a second early to ensure a look of sincere fright
  • The “good news, bad news” scene, where John McClean avoids the explosion, but is trapped outside, gains entry, but then is almost pulled out the window again is a nod to an older film.

The Movies That Made Us

Jawbone can still jawbone

I bought a Jawbone Jambox about six years ago when we installed a pool and needed a way to listen to music outside. It recently stopped holding a charge, and I didn’t think much about it, as, like so many other products, I don’t feel like it owes me anything.

A quick search regarding the matter revealed that you can buy a replacement battery for under $40, so I hit the Amazon button yesterday and got the tube of power-today–in the mail.

It took about 15–20 mins to pull all of the Torx no 6 screws out, remove the control board, and push in the new sleeve of rechargeable. It powered right up at 70% and worked just fine.

iPhone 11 Pro Max

Some quick thoughts on my recent upgrade:

  • it’s a big phone period, but it feels especially so with a case on; nekkid, less so
  • if everyone in your family has the XR or 11 and you want to feel like you have the biggest phone, the Max is it
  • Haptic Touch doesn’t feel as good as the old 3D Touch but it’s still a tactile sensation
  • that is a fabulous camera

Hard-Boiled Eggs: The Truth

You might thing the jury was no longer out on the matter of hard-boiled eggs:

By far the most important factor in determining whether a boiled egg will peel cleanly or not is the temperature at which it starts cooking. Starting eggs in cold water causes egg-white proteins to coagulate slowly, bonding tightly to the inner membrane of the shell. The difference is night and day: Cold-water eggs show nearly nine times more large flaws and double the number of small flaws.

I’ve been using a previous recipe from Kenji and it’s been flawless.

Link

John Klanderman, RIP

“I don’t know if that works for your life,” Dr. John Klanderman said to me after our first phone conversation. The phone interview was step two of applying to the School Psychology program at Rowan, and he had asked me if I might consider applying for a graduate assistantship.

Turns out, it did very much work for my life. I had the honor and pleasure of being Dr. Klanderman’s first graduate assistant at Rowan. I chose working for Dr. Klanderman over a job in the writing lab, and it was one of the best choices I ever made. And the writing lab was, to my mind, a dream job: a lab full of iMacs running Mac OS 9, on a fast ethernet network, full of students who needed my help either with their Macs or their writing.

I took the job with Dr. Klanderman initially out of careerist self-interest, but I never once regretted it.

We spent my time as an assistant discussing my independent projects for the department, but our conversations ranged across topics near and dear to his heart, such as the adorability of the Burmese Mountain Dog, his early life in the midwest, and of course, travel, which was his greatest pleasure.

One day, I apologized for some grease stains on my hands after working on a moped I had bought. He observed, approvingly, “you don’t like to sit around.”

Because neither did he.

One of my favorite roles in his service was that of computer support technician. I introduced Dr. Klanderman to the Stickies application on his Macintosh computer (a Toothintosh, if you remember those), and he would gush about Stickies’ utility to anyone who would listen. I met him in Philadelphia, at the Society Hill Towers apartment he bought, to help him set up his new iBook after I graduated, and we nipped out for dinner and a pint afterwards.

While working for him, Dr. Klanderman gently poo-pooed an idea for my graduate thesis, suggesting gently that I complete a study in the service of a colleague. He said I might be able to present the results at the National Association of School Psychologists conference that spring in Chicago. He was remarkably well-connected in a genuine way. That bit of advice, too, worked for my life.

That’s how we came to fly together and attend the conference, where I learned that it was very important to him to get off of an airplane before anyone else. He took delight in showing me around the Windy City; we had dinner at the Italian Village, an old favorite of his from his early days as a school psychologist, and took pictures from the Sears Tower. So smitten with the city was I that I skipped most of the sessions and walked the city, took the elevated train, and ate oysters and drank beer in a quiet corner of town.

An aside: I never really got around to calling him John. He was always Dr. Klanderman to me. He was wise, sagacious; funny and generous, informal but in charge. He was humble, yet distinguished; broad yet focused; self interested yet selfless. I was an adult but he made me feel like a kid, in a good way: his experience was honest and earned over the course of time.

Dr. Klanderman often worked the term “Gestalt” into his conversations, which in psychology is a nod to the theory of perception that we perceive more than the sum of individual sensory experiences.

His love of art: music, and the basoon, and later, of course, watercolor. Travel. Teaching graduate students. Remodeling his apartment and renting it out. All these bits, tremendous achievements in their own right, combine to form a mosiac–indeed, a Gestalt–far greater than the sum of their parts.

“You play the game well,” he complimented me that night in Chicago, over dinner.

Would that I could hope to play the game half as well as John Klanderman did: he loved to keep busy not for busyness sake, but because he loved life and the journey. His was a life fully lived. And mine was just one of many lives he touched.

Obituary


I asked John to be a reference for me when I applied for my first job in educational administration. He said to me on the phone that afternoon-and I remember where I was, in my car, driving that day-“If that’s what you want.” The subtext was “why would you want that?” He said a lot without having to say much.

Jeff Bridges Takes Cool Photos

Via Tools and Toys:

Ever since the mid–1980s, actor Jeff Bridges has become known by his castmates for taking candid black-and-white photos of on-set happenings between takes, using his trusty Widelux F8 panoramic camera, which he would privately print and gift to fellow cast and crew members.

The Iron 2 photos are fascinating on how they juxtapose a grainy black and white style with what we know is an otherwise futuristic palette.

Link

iPadOS’s Mouse Support Revisited

My first blush with iPadOS’s mouse support left me underwhelmed. Using a Magic Mouse, I was able to click and otherwise emulate a finger, but one absent feature in particular–support for scrolling in apps like Safari–left me uninterested in using a mouse with my iPad.

A little reading, however, led me to discover that mice with scroll wheels–notably Logitech mice–scroll as you might expect. I tried a leftover USB mouse from my son’s computer, and low and behold! Scrolling!

I picked up a Logitech Anywhere MX 2 today and set up the mouse. I must report that in addition to scrolling working, the ability to program each button to complete a number of useful features makes the mouse even more intriguing.

I set up the mouse to support click/tap with button one; button two activates the menu; other buttons will snap a screen shot, open the app switcher, and even summon the dock. This list action blew me away; I had hovered over the bottom of the screen a number of times looking for the Dock to pop up, but this is possibly even more interesting than standard macOS behavior.

One small detail bothered me, however: leaving Assitive Touch turned on when not using the mouse leaves the small menu button, semi-transparent as it is, on the screen at all times. I don’t like that one bit.

But Shortcuts to the rescue! I quickly made two shortcuts: Mouse On and Mouse Off. One turns Assstive Touch on, the other off. I keep these sorted near the top of my shortcuts, and keep Shortcuts pinned to my home screen.

Joker Reviews

Ann Hornaday, Wapo:

[I]t serves as a canvas for Phoenix, who goes to strenuous lengths to deliver a performance of operatic bombast. Alarmingly emaciated, affecting a maniacal laugh that Arthur barks out when he’s scared or angry or confused, he delivers a self-consciously larger-than-life performance in a role that simply doesn’t warrant the gravitas afforded to it by fans and filmmakers alike. “Joker” is, finally, so monotonously grandiose and full of its own pretensions that it winds up feeling puny and predictable. Like the anti-hero at its center, it’s a movie trying so hard to be capital-b Big that it can’t help looking small.

AO Scott, NYT:

It’s hard to say if the muddle “Joker” makes of itself arises from confusion or cowardice, but the result is less a depiction of nihilism than a story about nothing. The look and the sound — cinematography by Lawrence Sher, cello-heavy score by Hildur Gudnadottir — connote gravity and depth, but the movie is weightless and shallow. It isn’t any fun, and it can’t be taken seriously. Is that the joke?

Glenn Kenny, RogerEbert.com:

The storyline in and of itself is not a total miss. But once the movie starts lifting shots from “A Clockwork Orange” (and yes, Phillips and company got Warners to let them use the Saul Bass studio logo for the opening credits, in white on red, yet) you know its priorities are less in entertainment than in generating self-importance. As social commentary, “Joker” is pernicious garbage. But besides the wacky pleasures of Phoenix’s performance, it also displays some major movie studio core competencies, in a not dissimilar way to what “A Star Is Born” presented last year. (Bradley Cooper is a producer.) The supporting players, including Glenn Fleshler and Brian Tyree Henry, bring added value to their scenes, and the whole thing feels like a movie.

I’m not a cinema buff, but these reviews have me anxious to see Scorcese’s “King of Comedy.” And Glenn Kenny knows how to pussy-foot.